1、此资料由网络收集而来，如有侵权请告知上传者立即删除。资料共分享，我们负责传递知识。TED英语演讲：彩绘及社区烧烤活动的重要性艺术家 Jeroen Koolhaas 和 Dre Urhahn 通过彩绘整个社区创造了社区艺术，他们让当地的居民参与进来，从里约热内卢的贫民窟到费城北部的街区。是什么让他们的工程如此成功在这个有趣而具启发性的演讲中，艺术家们跟我们解释了他们的;艺术为先;的方法;以及社区烧烤活动的重要性。下面是小编为大家收集关于TED英语演讲：彩绘及社区烧烤活动的重要性，欢迎借鉴参考。TED英语演讲：彩绘及社区烧烤活动的重要性演说者：Haas&HahnDre Urhahn: Th
2、is theater is built on Copacabana, which is the most famous beach in the world, but 25 kilometers away from here in the North Zone of Rio lies a community called Vila Cruzeiro, and roughly 60,000 people live there. Now, the people here in Rio mostly know Vila Cruzeiro from the news, and unfortunatel
3、y, news from Vila Cruzeiro often is not good news. But Vila Cruzeiro is also the place where our story begins.Dre Urhahn：这个剧院建在科巴卡巴那，科巴卡巴那是世界上最有名的海滩，但离这里25千米远的地方在里约热内卢的北部，有一个叫维拉克鲁塞罗的社区，大约有六万人住在那里。在里约热内卢的人大多只在新闻里得知维拉克鲁塞罗，不幸的是，来自维拉克鲁塞罗的新闻通常是不好的。不过维拉克鲁塞罗也是我们的故事开始的地方。Jeroen Koolhaas: Ten years ago, we f
4、irst came to Rio to shoot a documentary about life in the favelas.Now, we learned that favelas are informal communities. They emerged over the years when immigrants from the countryside came to the cities looking for work, like cities within the cities, known for problems like crime, poverty, and th
5、e violent drug war between police and the drug gangs.Jeroen Koolhaas：十年前，我们第一次来到里约热内卢，来拍摄一部关于贫民窟生活的纪录片。现在我们知道贫民窟是非正式的社区，随着周边村民进城务工这个社区逐年壮大起来。如同城市里被分割出的又一座城，贫民窟以犯罪，贫困以及警察与毒品团伙之间的暴力冲突这样的问题而闻名。So what struck us was that these were communities that the people who lived there had built with their own han
6、ds, without a master plan and like a giant work in progress. Where we're from, in Holland, everything is planned. We even have rules for how to follow the rules.让我们震撼的是 这些社区是住在这里的人们用自己的双手建成的，这里没有总体方案，而是一直在进行的浩大工程。我们来自荷兰，在荷兰，一切都是方案好的。我们甚至有;如何遵守规那么;的规那么。DU: So the last day of filming, we ended up
7、in Vila Cruzeiro, and we were sitting down and we had a drink, and we were overlooking this hill with all these houses, and most of these houses looked unfinished, and they had walls of bare brick, but we saw some of these houses which were plastered and painted, and suddenly we had this idea: what
8、would it look like if all these houses would be plastered and paintedDre Urhahn：拍摄的最后一天，我们到了维拉克鲁塞罗，我们坐着一边喝东西，一遥远眺着这座山。山上有许多房屋，大局部房屋看起来都还没建好，它们的外墙都是裸露的砖块，但我们看见其中的一些房子已经粉刷好并上了漆，我们突然有了一个想法。如果把这山上所有的房子都进行粉刷并上漆，将是怎样一种景象And then we imagined one big design, one big work of art. Who would expect something l
9、ike that in a place like this So we thought, would that even be possible So first we started to count the houses, but we soon lost count. But somehow the idea stuck.然后我们想象了一个大设计，一件宏大的艺术作品。谁会想到在这种地方会有这样的东西我们就想这个方案可行吗于是我们先开始数这些房子，可没一会我们就数糊涂了。 但不知为什么这个想法挥之不去。JK: We had a friend. He ran an NGO in Vila C
10、ruzeiro. His name was Nanko, and he also liked the idea. He said, &You know, everybody here would pretty much love to have their houses plastered and painted. It's when a house is finished.&Jeroen Koolhaas：我们有个朋友，他在维拉克鲁塞罗运营着一个非政府组织，他的名字叫南科，他也很喜欢我们这个想法。他说：;你们知道吗其实这里所有的人都很想给自己的房子粉刷并上漆，全部都刷好时才叫盖好了房
11、子。;So he introduced us to the right people, and Vitor and Maurinho became our crew. We picked three houses in the center of the community and we start here. We made a few designs,and everybody liked this design of a boy flying a kite the best. So we started painting, and the first thing we did was t
12、o paint everything blue, and we thought that looked already pretty good.于是他给我们介绍了两个得力人选，就这样，维托和穆里尼奥参加了我们。我们选了社区中心的三所房子，我们从这三所房子开始，我们做了一些设计，其中那个男孩放风筝的设计成了大家的最爱。于是我们开始粉刷，粉刷的第一步就是将所有房屋都刷成蓝色，刷完之后我们觉得已经很不错了。But they hated it. The people who lived there really hated it. They said, &What did you do You pai
13、nted our house in exactly the same color as the police station.& (Laughter) In a favela, that is not a good thing. Also the same color as the prison cell.但居民们不买账，他们讨厌极了我们刷的蓝色，他们说：;你们做了什么你们给我们的房子刷的这个颜色，跟警察局那颜色一模一样。; 在贫民窟，这可不是件好事。这颜色也跟监狱的颜色一模一样。So we quickly went ahead and we painted the boy, and then
14、 we thought we were finished, we were really happy, but still, it wasn't good because the little kids started coming up to us,and they said, &You know, there's a boy flying the kite, but where is his kite& We said, &Uh, it's art. You know, you have to imagine the kite.& (Laughter)所以我们火速进
15、行下一步，我们画出了那个男孩，然后我们以为我们完成了，我们非常开心，但是，这还不好，因为一些小孩子开始来找我们，他们说：;那是个男孩在放风筝，但风筝在哪儿;我们说：;额，这是艺术你得想像出那个风筝。;(笑声)And they said, &No, no, no, we want to see the kite.& So we quickly installed a kite way up high on the hill, so that you could see the boy flying the kite and you could actually see a kite. So th
16、e local news started writing about it, which was great, and then even The Guardian wrote about it: &Notorious slum becomes open-air gallery.&然后他们说 ：;不不不，我们想看到那个风筝。;所以我们很快安上了一个风筝，在高高的山上，这样你就能看见一个男孩在放风筝，你真的能看见一个风筝。当地的新闻开始写有关它的报道，这非常好，甚至英国卫报也写了有关它的报道： “;臭名昭著的贫民窟成露天画廊;。JK: So, encouraged by this success, we went back to Rio for a second project, and we stumbled upon this street. It was covered in concrete to p
